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Opening September 15
For the past two thousand years—far before the development of plastic laminations and modern-day adhesives—lacquer was (and remains) a superior material. Red Luster: Lacquer and Leatherworks of Asia demonstrates the aesthetic impact of red lacquer and its faux imitators in leatherworks and other materials. The glossy sheen, slick texture and deep colors of lacquer have long been a prized material throughout Asia but the materials to create "true lacquers" do not exist in all of Asia.
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through October 3, 2010
This site-specific installation allows viewers to experience painting as an environment that one can enter. Using the Museum's Charles Engelhard Court as his canvas, Ramirez employs his signature curvaceous biomorphic forms amidst a profusion of pop-inspired colors in dialogue withe the Court's distinctive Beaux-Arts architecture.
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through May 23, 2010
Constructive Spirit investigates the formative geometric abstract art movements of Argentina, Brazil, the United States, Uruguay and Venezuela. This exhibition is the first to explore the conceptual connections and exchanges that existed between artists in the Americas. Featured are more than 90 paintings, sculptures, prints, photographs, drawings and films.
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Constructive Spirit Teen Podcast
Constructive Spirit Teen Audio Tour This teen audio tour was created for Constructive Spirit: Abstract Art in South and North America, 1920s-50s, an exhibition that considers the shared interest in geometric abstraction that linked artists from Argentina, Brazil, the United States, Uruguay and Venezuela. The result of a collaboration between the Newark Museum and the Colección Patricia Phelps de Cisneros, this podcast brings a teen’s perspective to eight works included in Constructive Spirit. In the summer of 2009, curators and educators from both institutions brought together four high-school interns to research and interpret works in the exhibition.
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ConstructiveSpirit_Teen_Podcast.zip |
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001.mp3
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September 23, 2009 through January 10, 2010
Artistic ceramics is not a new idea. After all, the finest decorated pottery in ancienct Greece was both functional and artistic. The potteries in Renaissance Italy produced brilliant painterly vessels that were appreciated as art. Likewise, it is hard to dismiss the brilliant enamel painting on European porcelains in the eighteenth and early nineteenth centuries as only "decoration." However, something did happen in the third quarter of the nineteenth century. Part of it was the rise of an anti-industrial reaction to "soulless" factory production; part of it was a growing awareness in the West of revered ceramic traditions from Asia.
All of this came together, in the United States at least, at the national Centennial Exhibition in Philadelphia in 1876. That moment was a cultural watershed for America, a moment that unleashed something of an aesthetic awakening. It was in the aftermath of the Centennial that Americans began to see the potential for transforming ceramics from merely ornaments into art objects. In shape, in glaze, in surface treatment, pots could be more than just pots.
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September 22, 2009 through January 10, 2010
These award-winning, Newark-based filmmakers will create a black-and-white, 3D film about present day Newark that is a homage to the 1920 avant-garde film Manhatta which documents a day in the life of Manhattan and which plays on continuous loop in the Museum's American art galleries. In New Work, the Bongiornos will capture the hidden beauty and dignity of Newark from sunrise to sunset, from its river entry, trains, business districts, work sites, cemeteries, smoke stacks, port and transit hubs.
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